Dave Amaditz

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Announcement of Representation: Amy Tipton, Signature Literary Agency

December 13, 2013, fell on a Friday. If I’d ever been superstitious about Friday the 13thbeing an unlucky day, the early morning email I received would’ve quickly put an end to that nonsense. Amy Tipton, of Signature Literary Agency, an agent on the top of my list to query, offered me representation.

(All smiles above examining my contract.)

The dream I have worked toward for years had arrived. Needless to say, I was barely able to control my emotions. And as much as I had planned and prepared for the moment, trying to think of the things to say, questions to ask, how to proceed and still sound like a professional, I found myself sputtering around aimlessly for quite a while.

Then, after taking one step off the clouds, I telephoned my wife. Followed quickly with another to my father. I shot an email to my closest writing friends. Got back on the telephone to call other family members, all of whom shared in my excitement, and although they tried, probably didn’t fully grasp the significance of the announcement.

If you’re reading this, chances are good that you, too, are a writer. Because of that, you will know why I was, and still am, so excited. You’d be aware of the many revisions made to the manuscript before submission. You’d be aware of the many hours of research necessary to target the appropriate agent. You’d be aware of the heartbreak of rejection. And because you may have experienced one, if not all of those, you’ll truly be able to understand the joy and excitement I’m experiencing now because of the offer of representation.

Of course, I accepted her offer. I would’ve been a fool to say no. I felt an immediate connection and so welcomed by her from our first communication. I felt as if it were meant to be.

(Attaching my signature to the contract… and still smiling.)

What do I want you to take from this? Don’t give up. Be persistent. Be aware of your goals. Be professional.… And one day, as with me, it will happen to you.

(Stand by for a future post about the top 10 questions… or more, to ask an agent once you are offered representation

First Friday – Five Favorite Things – Debut Novel Day

by Dave Amaditz and
Marcy Collier

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One year of First Friday reviews is now in the books. A great big thank you to all of the fabulous debut authors who have agreed to participate. Marcy and I are looking for many more reviews to follow.

Welcome to January’s version of – First Friday – Five Favorite Things – Debut Novel Day. In this monthly series, we ask five simple questions about a debut novel that will hopefully entice anyone reading this post to pick up the novel and read it themselves, and/or give them at a glance some insight into the author’s writing style and voice as well as how some of the characters might think or act. We do this by presenting, first, answers to our Five Favorite Things, followed by the author’s answers in a follow-up post.
This month we’re pleased to highlight debut YA novelist, Mindy McGinnis and her novel, Not a Drop to Drink.  I couldn’t put this one down, and when I was called away, the story stayed with me until I was able to once again stick my nose back in the book. We hope you enjoy our answers and encourage you to buy the book.

1) What is your favorite line or paragraph from the novel as it relates to the main character’s development and/or growth?

 Dave

– In order to be able to better grasp of the feelings and emotions of Lynn, the main character, who lives in a time when water is scarce and humans must take extreme measures to protect what is theirs, I chose to highlight two particular sections of the novel, one in the beginning and one in the end.

Lynn pulled her own rifle into her lap, the cold metal bringing more comfort to her than Mother’s touch ever could. Her finger curled around the trigger, hugging it tight in the life-taking embrace that she’d learned so long ago. She slipped onto her belly beside Mother, watching the sunlight bounce off the twin barrels of their rifles. Waiting was always the worst part, the crack of the rifle a relief.

(This next section came from later on in the novel and shows a contrast in Lynn’s thinking… The fact that she would even remotely consider assisting a stranger.)

Self-reliance had been Mother’s mantra. Nothing was more important than themselves and their belongings. Allowing Lucy into their home had gone against everything she’d learned, but leaving the little girl to die beside the stream went against something that was simply known and had never been taught. She’d shared the thought with Stebbs after they worked on Lucy’s feet. He told her it was her conscience, guiding her to the right decision.

Marcy – Lynn has been taught by her Mother that survival is the most important part of their life. Survival skills have been a part of Lynn’s life for as long as she can remember. If someone comes on her and Mother’s property to take their water, they would shoot to kill. Now Lynn is rethinking how she reacts to trespassers. In this paragraph, Lynn reflects on a boy that she killed because he walked on her property and compares this to another man who came on the property, but she decides to spare his life. This demonstrates how her character is growing and evolving.

She could see what Mother had meant about the dead boy whose boots she’d taken. Even starving, Eli had a sparkle of youth about him, though he lacked the paunchy cheeks of the boy she’d shot. Lynn balanced the two faces in her mind, trying to tack down what exactly made them so different. In the end, she decided Eli was just easier to look at. For the first time since her death, Lynn dreamt of a face other than Mothers.

2) What is your favorite chapter ending or cliffhanger?

Dave – For me, this was easy. Lynn had resisted for so long getting close to someone. She’d resisted dropping her guard for fear someone would take over what was rightly hers. And now, when she finally allows that to happen, one of her worst fears results.

Her heart was beating so hard, she almost didn’t hear the footsteps on the roof. Lynn instinctively dropped down, hand clutched protectively around the thermometer. For a moment there was nothing, only the sound of her own blood pumping through her veins. Then she heard it again.

Someone was on her roof.

Marcy – You know I usually go for the chapter ending that is the cliffhanger – like Dave’s above, but this time, I’m picking a chapter ending that captures the innocence of a child. Young Lucy, a child Lynn has taken in, talks Lynn out of shooting a man because he has come on to the property. Lynn has a conversation with the man and ends up helping him. This last line fosters hope.

Lucy tilted her head against the window to watch the stranger go, her breath making a fog against the cold glass, until they could see him no more.

“Good luck, mister,” she said, her words filled with the hope of a child.”

3) Who is your favorite secondary character and why?

Dave – Stebbs is my favorite secondary character. He possesses the knowledge of what life was like before hard times hit. Because of that, I believe he’s able to convey to Lynn a sense of humanity that was needed, is needed, to survive.

Stebbs gave Lynn a hard look. “I know you’re just saying what you think your mother would’ve wanted. Seems to me you’re starting to grow a heart on your own, but every now and then you think of her and it kills it dead like the frost to a seedling. You weren’t taught any different, but it used to be that people helped each other.”

“Used to be a lot of things different.”

“But people are still the same,” Stebbs said, and edge on his voice that usually wasn’t there. “And all everyone is trying to do is survive.”

Marcy –  Stebbs is my favorite character. His quiet, gentle soul helps guide Lynn with choices. Besides helping her survive, he teaches her a great deal about life and people.

Dave and I think so much alike. I had also picked the paragraph above, but will choose two different ones instead.

“So I guess I’ll go ahead and tell you – don’t be making the same mistakes she did. Or hell, the ones I did either. Don’t be afraid to care for that little one, and don’t be too proud to let that boy know what you feel. Otherwise you might end up with neither of ‘em.”

“I’m asking you to be more than she was. Be strong, and be good. Be loved, and be thankful for it. No regrets.”

4) What is your favorite line or paragraph of description? 

Dave – I chose this particular section from early on in the novel. I think it gives such insight into how Lynn thought, how she was taught to think by her mother, how she felt she needed to think in order to survive.

Twilight had fallen by the time Lynn had made a binding for her ankle out of Mother’s shirt. She felt like a vulture as she stripped Mother’s body of anything useful – knife, matches, even the hair tie she been using. Nothing should be wasted. Scavenging from bodies was nothing new to Lynn, but taking Mother’s shirt from her as a cold sleet began brought her to her knees. She cried in long, gasping breaths that ripped through her body. Her knees slipped in the blood-soaked mud, and she fell face forward into the muck, where she saw her rifle. 

She crawled toward it, wiping it as clean as she could on her shirt…

Marcy – This paragraph gives the reader a deep look inside the main character’s head in the beginning of the story. And for me this line really shows the stark contrast of Lynn’s mindset in the beginning of the novel and then how her character grows and develops as we get deeper into the novel. And now as I’m reading through the post, I see Dave picked this same paragraph for his answer above.

Lynn pulled her own rifle into her lap, the cold metal bringing more comfort to her than Mother’s touch ever could. Her finger curled around the trigger, hugging it tight in the life-taking embrace that she’d learned so long ago. She slipped onto her belly beside Mother, watching the sunlight bounce off the twin barrels of their rifles. Waiting was always the worst part, the crack of the rifle a relief.

5) What is your favorite line of dialogue? 

Dave –  I picked this line because it comes at a time when Lynn, who is just learning how to trust people, tries to teach a basic lesson of how to survive living in the country to someone she has just met.

“It’s not like the city out here,” Lynn said. “You’re better off to distrust everyone at first and make them earn it.”

“Then it’s exactly like the city.”

Marcy–  I thought this line was so sweet. Eli is so patient with Lynn. She hasn’t been around people and doesn’t really quite understand how human nature works. Eli asks permission for a kiss. Lynn leans forward and pecks him on the cheek, which was her Mother’s ultimate show of affection. Here is Eli’s response.

“I’m not going to kiss you like your mother. C’mere.”

To read more about Mindy McGinnis’ debut YA novel Not a Drop to Drink please go to:

First Friday – Five Favorite Things – Debut Novel Day

by Dave Amaditz and

Marcy Collier

Welcome to December’s version of – First Friday – Five Favorite Things – Debut Novel Day. In this monthly series, we ask five simple questions about a debut novel that will hopefully entice anyone reading this post to pick up the novel and read it themselves, and/or give them at a glance some insight into the author’s writing style and voice as well as how some of the characters might think or act. We do this by presenting, first, answers to our Five Favorite Things, followed by the author’s answers in a follow-up post.


This month we’re pleased to highlight debut YA novelist, Margaux Froley and her novel, Escape Theory.  This page turner will keep you up at night. We hope you enjoy our answers and encourage you to buy the book.

1) What is your favorite line or paragraph from the novel as it relates to the main character’s development and/or growth?


Dave – In this particular section, we’re at the point of the story where Devon, the main character, begins to feel comfortable with what she is doing as a student-counselor. In turn, some of the students begin to respect her, which ultimately leads to her beginning to respect herself.


I think he respects me.


Could that be right? The thought was unfamiliar, like trying a new language. Devon was used to being out of the loop, on the fringe of everything. It was almost comforting to know that her place would always be as an observer, not be observed. But now something had shifted. Matt wasn’t looking for her to simply reflect his personality back to him. He cared what she thought. For the first time, she mattered.


Marcy – For me, this is the point where Devon has finally admitted to herself what she needs to do. Her roommate finds some stuff in her drawer and turns her in out of concern. Devon finally admits to herself that she will prove the truth to everyone at Keaton and responds this way to her friend:  


Devon shifted her weight on her plastic cleats. “Yeah, well, I care, too. Still do.” She ran off toward the field. Maybe she was a nightmare to deal with right now. But she had her reasons. And she would prove them to Keaton.

2) What is your favorite chapter ending or cliffhanger?


Dave – I cannot say that Marcy’s pick didn’t have me turning the page quickly to see what happened next, but I chose this cliffhanger from earlier in the story.


“He confirmed it was Oxy in Hutch’s system. A lot of it. But he said the weird thing was, usually with overdoses you find a few pills undigested in the stomach. Not with Hutch. The Oxy must have been crushed up before he took it. The only reason someone does that is if they plan on never waking up.”


Raven sniffed and stopped crying. She glanced up at her brother.


“Or, if they don’t know they were taking it,” Devon said.


Marcy – I can’t say why this is an awesome cliffhanger without giving away the story. All I’ll say is that an unexpected girl is getting out of Hutch’s brother’s car and Devon witnesses it.


She locked eyes with Eric Hutchins.


3) Who is your favorite secondary character and why?


Dave – Hutch, is definitely my favorite secondary character. His relationship with Devon is open and honest. I believe this quote will give some insight into that attitude.


“… Would have liked a choice in the matter,” he finished for her. “I get it. The freaky thing is that our parents were easier than this place. Every minute here is accounted for, regimented. It’s like the creepy ooze that just gets in everywhere, and eventually takes over your life. I hate it. I’d take public school, or even just being a day student any day. When you live here you can’t escape it.”


Marcy –  Even though Devon’s the main character, the story revolves around Hutch. I enjoyed the depth of many of the secondary characters, but his wit and humor outshined the others. In this paragraph, we get deep inside Hutch’s head as he talks about his older brother, Eric.


Hutch chuckled. “That’s my brother, Eric. Everything fazes him. He got the burden of being older and worried about what everyone thinks of him, especially our dad. That’s just not me. I don’t care what anyone thinks. I refuse to bend over backward for everyone else until I’m broken like he is. I’m broken in my own way, I guess.”


Then there’s another line when Hutch talks to Devon from his heart:


“I have a feeling you’re the only good thing about this whole place.”


Devon laughed off the compliment. “We just got here.”


“But what if I’m right? What if tonight is the best it will get around here for the next four years and everything is just downhill.”


“If getting locked in the kitchen together is the best it gets, that doesn’t bode well for the next four years.”


4) What is your favorite line or paragraph of description?


Dave – There were quite a few I wanted to choose, all of which gave great insight into a particular character or a great visual image, but this particular section let me in on the mindset of the characters, the whole town, the setting in which the novel was placed.


The Town of Monte Vista was full of secrets that only Keaton students found valuable. The Monte Vista Deli would sell cigarettes without carding for one. The grocery store always carded, but the gas station would sell liquor to the fakest of IDs. Presley had once used her gym membership card from home to buy vodka, and the clerk never questioned it. They knew that as long as the cameras caught them showing something to the clerk, no one would get in trouble. Devon figured it was because Keaton students lived by so many rules on campus, rules in real life were just another set of boundaries to be pushed and worked around. Working around rules was the true cornerstone of the Keaton education, the one no one ever discussed.


Marcy – Can you tell by now that my favorite secondary character really is Hutch? It seems like all of my top picks are his lines. He’s definitely stealing the show for me in this novel during this conversation with Devon.


“Do you ever have those moments where you feel like you’re in the middle of making a really good memory? One that you’re going to remember when you get old? I think we just lived one of those moments.”


You really think when you’re like fifty and have a wife and two kids and the house and fancy career, you’ll really remember this one little night?”


He didn’t so much as blink. “I’m going to remember this night until I die. Maybe even after that.”


5) What is your favorite line of dialogue?


Dave –  This novel contained so many great lines of dialogue. All of the conversations flow quite naturally. This particular line comes from Devon’s friend, Presley, who is always telling it like it is.


“Devon, I’m saying this because I love you, because you’re my best friend, and you don’t talk to a ton of other people. So someone has to say it. You have got to get over this Hutch thing. No, I never slept with Hutch. Never even kissed the guy. Thought about it, yes. Did anything about it, no. But you? You’re obsessing. It’s annoying. But more than that, it’s disturbing. Go find Grant. Go make out with that hot boy and forget about the dead one. You hear me? This is for your own good.”


Marcy–  Hutch doesn’t hold back his thoughts. Hutch and Devon are in the unlocked school kitchen after hours. He makes this astute comment to Devon.


“A place that bases everything on an honor system leaves a lot of room for stupidity,” Hutch said.


Dave Amaditz December 6, 2013 3 Comments Permalink

Ten for Tuesday – Historical Fiction

In case you’ve been too busy with life, as most of us are, you may not have noticed that this year marks the 150th anniversary of the Battle of Gettysburg. Today is the anniversary of President Lincoln’s famed Gettysburg address, which is being celebrated along with many other events at the Gettysburg National Museum and historic site. Check out this site for a complete listing of all events. http://www.gettysburgfoundation.org/176
In order to call attention to this historical event, I picked 10 of my favorite historical novels. Because most of us write kid-lit at Route 19 Writers, I chose mainly young adult and middle grade novels, however, I picked a few adult novels because they are some of my all-time favorite books; ironic in a sense because I read the adult novels as a teen and the other novels as an adult.


Yellow Star by Jennifer Roy
Yellow Star by Jennifer Roy – This story traces the life of Sylvia Perlmutter, one of the few children to survive the ghettos of World War II, Poland. She’s forced by the Germans to wear a yellow star on her clothes to signify her status and to endure the humiliation that comes with it. In the end, however, it’s the same yellow star that is her salvation.

Misha (Milkweed)
Milkweed by Jerry Spinelli – Set in the streets of World War II war-torn Poland, this story is told through the eyes of an orphan boy, Misha Pilsudski. He’s called Gypsy. Jew. Stopthief – and admires the Jackboots who have given him those names – until he realizes the Jackboots are not taking the Jews on the trains away to a better life.

The Kite Runner (10th Anniversary)
The Kite Runner by Khaled Hosseini – This gives a close-up look at life in war-torn Afghanistan. It explores friendship, class struggle and betrayal. Written so beautifully, I had to often check to make sure it was a work of fiction.

Tamar-MalPeet.jpg
Tamar by Mal Peet – this tells the little-known story of the underground resistance in Nazi-occupied Holland when a girl, Tamar, living in present-day England, inherits a box from her grandfather containing a series of clues and encoded messages. Her grandfather had never talked about the war, and it reminded me how many unsung heroes did their part to preserve life the way we know it, yet never asked for any credit.

A Single Shard
A Single Shard by Linda Sue Park – set in 12th century Korea, the story is about 13-year-old orphan, Tree-ear, who desires to learn the craft of making celadon pottery from best potter in Korea. Along the way, he learns much more valuable lessons then began the craft itself.
The Master Puppeteer By Katherine Paterson Illustrated by Haru Wells
The Master Puppeteer by Katherine Paterson -set in feudal Japan, Jiro becomes an apprentice at one of Japan’s most famous puppet theaters amidst riots by angry mobs of Japan’s starving citizens. He learns responsibilities greater than his craft and stumbles upon a secret that nearly gets him killed.
Between Shades of Gray Book
Between Shades of Gray by Ruta Sepetys – this tells the story of a 15-year-old Lithuanian girl, Lina, who is forced by the Soviets into a Siberian work camp. She is separated from her father and forced to endure unimaginable hardships, using her love of art as a way to embed clues as to where she can be found.
The Book Thief by Marcus Zuzak – what would you do for a book. For a story? In 1939 Nazi Germany,
Liesel Meminger steals books, but they become much more to her than simple stories. They become a lifeline, a way for her and her neighbors to survive the war’s bombings.

The First Hundred Years of Nino Cochise; The Untold Story of an Apache Indian Chief, by A Kinney Griffith – although there is some controversy surrounding the authenticity of the character interviewed for this story, this was one of my favorite books as a teen, which I read at least twice. There was plenty of action to keep me, an energetic teen, riveted.
My adult picks – read when I was a teen.
Shogun.jpg
Shogun, by James Clavell – An amazing look at feudal Japan through the eyes of a shipwrecked, English explorer. He comes to learn the Japanese culture, falls in love with a Japanese maiden, yet still dreams of returning home.
The Frontiersman, by Allan W Eckert – a great look at the early history of the United States in what was then the Far West (Pennsylvania, Ohio, Indiana and Michigan) through the eyes of a frontiersman by the name of Simon Kenton. It explores his hardships, and his role in opening the Northwest Territory  to vast numbers of English settlers which ultimately led to a clash between two cultures; the white settlers and the native Americans whose lands were encroached upon.
I’d like to hear some of your favorites: picture book, middle grade, young adult or adult, and even an adult selection if you wish.

Dave Amaditz November 19, 2013 2 Comments Permalink

First Friday – Five Favorite Things – Debut Novel Day




by Dave Amaditz and 

Marcy Collier

Welcome to November’s version of – First Friday – Five Favorite Things – Debut Novel Day. In this monthly series, we ask five simple questions about a debut novel that will hopefully entice anyone reading this post to pick up the novel and read it themselves, and/or give them at a glance some insight into the author’s writing style and voice as well as how some of the characters might think or act. We do this by presenting, first, answers to our Five Favorite Things, followed by the author’s answers in a follow-up post.



This month we’re pleased to highlight debut YA novelist, Geoffrey Girard and his novel, Project Cain.  This fantastic read will pull you in from beginning until end. We hope you enjoy our answers and encourage you to buy the book.

1) What is your favorite line or paragraph from the novel as it relates to the main character’s development and/or growth?


Dave – There were quite a few passages to choose from, but in the end I chose this because it gave insight into how Jeff, the main character, was able to rationally process information so that he could cope with everything that had gone wrong in his life (since he was created).


One thing I’ve learned from all of this is that there aren’t answers for everything.



Science and logic and facts can’t cover all of it.


Sometimes stuff just can’t be explained.


Marcy – I really enjoyed this passage in the novel. It provoked thought and gave me great insight into the main character, Jeff. It ended up being his mantra throughout the remainder of the novel. 



EXTREME LIFE would have been simple enough for any skate park. Extreme sports and lifestyle and all that stuff. It meant “to stay radical and colorful and dangerous and loud and outrageous.” And I’m sure that’s how most of the skaters here took it. But the “FOR,” I think, added something else entirely. Something that whoever’d spray painted this message however many weeks, months, or years before had meant for the whole world to see. Or maybe just for himself or herself. It meant, I think, to fight FOR life. Not taking it for granted. Call it carpe diem or YOLO or whatever. This person embraced life, was made for it. It meant don’t take one minute of life for granted. It meant DON’T EVER BE AFRAID OF THE DARK. A challenge. And a promise, too.


2) What is your favorite chapter ending or cliffhanger?


Dave – To me, there were so many parts throughout the book where the tension was so high, so riveting, that I could’ve found a cliffhanger to write about on nearly every page.  As insight, the “dark men” were created by the government to seek out and find people like Jeff. Chilling.


All that whole day, Castillo and Ox and the other guys prepared.

A lot of it involved explosives. Mines and stuff.

Consequently I was asked to stay in my room.

A room surrounded by concrete that was a hundred feet below the ground.

They took turns guarding my door.

I tried to sleep. To heal.

All that whole day, I could feel the dark men in my head.

Listening for me. For my blood.

All that whole day, I could feel them getting even closer.

I closed my eyes.

Come and get me, I said to the dark.


Marcy – I won’t go into detail as not to spoil this scene, but Jeff is quite intuitive. The deeper I got into the book, the more dark secrets I learned about Jeff’s dad. This chapter ending kept me reading late into the night. And I have to say, I had some very bizarre dreams while reading this novel!



He’d wanted me to have it. Just another one of his little experiments for me. Left it precisely where I’d find it. Wanted me to see all that he’d been up to.


So I guess he got exactly what he wanted.


Because when I opened the door, the very first thing I saw was the dead guy.


3) Who is your favorite secondary character and why?


Dave – Castillo. Not to be repetitive, but ditto Marcy’s comments found below.


Marcy –  First, Jeff is scared of Castillo. He feels like he’s being held captive against his will. But the more I get to know the strong, silent Castillo, the more I like him. His true personality is uncovered, and he becomes this gentle, protective giant.


It was a paperback. The Pillars of the Earth. Something about building a Gothic cathedral in England. What’s this for? I wondered out loud.


Castillo said: You said you were a reader. He positioned his new lawn chair at the back window. Unless you wanted a romantic thrill, he said. That’s all the store had.


I flipped through the book. It was, like, eighty thousand pages long and weighed fourteen pounds. I had the feeling Castillo had bought it only because it was the biggest one they’d had. Guess he thought we were gonna be in an empty house awhile.


Castillo watched me, looked like he wanted to say something, and then turned to look out the window again.


4) What is your favorite line or paragraph of description?


Dave – As Marcy has said below, there were so many interesting descriptions to choose from. I took the liberty of picking two.


First, can you imagine knowing your father thinks of you like this:



The night my father left, he’d told me I was part of the special 5%.



That when living conditions become too crowded in any environment, 5% of the population will resort to violence to achieve its goals.


They’ve done studies with rats. Perfectly calm and nonviolent animals until they’re introduced into an environment with limited resources. Limited food, mates, and space. Then 5% of the previously nonviolent rats get medieval. They murder other rats. Rape other rats. Eat other rats. Even though they’d never done any of these things when in small groups or appropriate space. It was just part of their nature to adapt. To survive and thrive in a more challenging environment.


These are the dominant ones, my father said. The ones meant to rule their world.


That’s, I guess, who I was with now.


Second, I think this explains a lot of what the main character has to deal with throughout the novel on a very personal level as to why he is always having visions of some sort.


Online I found all sorts of information about other people who claimed to see faces. Mostly right when they were falling asleep. But most of what I found talked about weird stuff like astral projection and passed lives and something called the Akashic Records, which is like a universal storeroom for all human knowledge that can be assessed during deep meditation. None of this was too helpful, so I basically just went around for years weirded out by it all.


The mystery was solved only when my father handed me that folder. Inside, remember, were pictures of all of Jeffrey Dahmer’s known victims. Pictures with names.


I’d looked only at the top sheet. Hadn’t known any of the names.


Their faces, however…


I’d recognized everyone.


Marcy This perceptive line rang so true to the book and everyday life. Totally relatable to most everyone. There were so many “ah ha” statements made by the main character that it was extremely hard to choose a favorite.


It was funny to think about the whole world just going on. I mean, when shitty things are going on in your life, everyone else just kinda carries on. Business as usual. All those people passing had no idea what was going on in the motel room below me.

5) What is your favorite line of dialogue?


Dave –  This line comes from Castillo. It made me wonder. Do we all become our parents? Also, Jeff’s thoughts following the response are worrisome, but I’ll let you read for yourself to find out what he’s thinking.

Castillo suddenly said his own dad had taken off when he was nine.

Yeah? I prompted.

Yeah, Castillo said. I hated the son of a bitch for close to twenty years. And the more I tried hating him, the more I became just like him. The way he moved, talked. Things he said. Christ… I don’t know. In a couple of years I’ll probably be him.


Marcy– Again – another way that the reader can identify with Jeff. Even though his circumstances are way over the top extreme of normal people, he tells it like it is and makes the reader think deeply about everyday life.

If everyone told the truth, even half the time, we’d probably all jump off a bridge.


To read more about Geoffrey Girard’s debut YA novel Project Cain or his adult techno thriller, Cain’s Blood, please go to:

First Friday – Five Favorite Things – Debut Novel Day

by Dave Amaditz &

Marcy Collier

Permanent Record (release date March 5, 2013, from Amazon Children's Publishing
Welcome to September’s version of – First Friday – Five Favorite Things – Debut Novel Day. In this monthly series, we ask five simple questions about a debut novel that will hopefully entice anyone reading this post to pick up the novel and read it themselves, and/or give them at a glance some insight into the author’s writing style and voice as well as how some of the characters might think or act. We do this by presenting, first, answers to our Five Favorite Things, followed by the author’s answers in a follow-up post.

This month we’re pleased to highlight debut YA novelist, Leslie Stella, and her novel, Permanent Record. There’s so much good to say about this novel. Hopefully, you’ll enjoy the excerpts we’ve chosen below, follow the links we’ve included to read what others are saying, and ultimately, check out the book for yourself.

1) What is your favorite line or paragraph from the novel as it relates to the main character’s development and/or growth?


Dave – In this scene Badi, a.k.a. Bud (you need to read for yourself why the names are different) has given up trying to fit in, trying to be normal. This passage gives you a little insight as to the reason why, but you will need to read the book for yourself to see what is the result of the decision.



The real reason I can’t talk to Nikki is because I’ve moved off the path to sanity and fitting in – even with the misfits – and where I’m headed now, she can’t follow. I love her and that hurts. Even Reggie, the type of guy I’ve always admired – cool-geek, comfortable with himself, smart, antiauthority – I can’t be friends with him anymore because I’m giving up on trying to get better. There are all those people who stand in my way, who haunt me, dog my heels, from Leighton to Magnificat. The shit just never ends. I’m giving in to being who I am now.

Marcy The main character, Badi (also known as Bud) has never had any real friends. He goes to this new school and faces one disaster after another. But through all of the disasters, he makes a few friends along the way. But then he questions if these people really are his friends. He doesn’t feel he deserves to have friends. This is the point in the story for me that was pivotal. One of his good friends Nikki tells him exactly how she feels, and he finally starts to realize that he does have people who care about him.



 I cross my arms. I knew it would come to this. “You’re against me,” I say.



“Against you? Dude, I am against you back-to-back, surrounded by infidels,” she says. “I am for you. I want you to succeed and be happy, even though being happy seems completely unrealistic for people like you and me. I’m getting concerned here. Scared. I’m afraid something bad is going to happen to you. It’s making me not see things clearly, and I’m sorry.”



The meeting is due to start, so I go in and leave her behind. I hate to do it.


2) What is your favorite chapter ending or cliffhanger?

DaveThere were a few chapter endings that I really liked, the end of chapter 1, chapter 15 and 16, as they all really made me think, really brought me closer to the main character, made me want to read more. In the end though, I chose this one. To help you understand the scene, you need to know that King Sargon is his cat and that “Car Wash of Death” is a song his brother made up about wasting away working at a car wash.


King Sargon sits on my desk and looks out my bedroom window. I close the door and play “Car Wash of Death” ten million times on Dariush’s turntable, lying on my bed, staring up at the darkening ceiling and picking at my mole. I don’t fall asleep though I’m beyond tired, and I can’t eat – not that anyone calls me for dinner and I can smell that it’s orange chicken koresh again, my favorite – but my stomach is blocked by a trapdoor that closes whenever the depression hits. And it is hitting hard. The only thing that gets me through is the thought of what I will do to that school on Saturday night.

Marcy – This happens toward the end of the story. I don’t want to spoil the novel so I won’t give specific details. Bud struggles with mental illness. Throughout the story, he tends to bottle up his feelings and thoughts, but toward the end, he finally makes a big transformation and begins to see life differently. He makes a tough decision and a plea for help:


God help me out of this don’t leave me alone abandon me alienate me hate me destroy me – floor rushes up to me – my little brother and sister are crying, everyone’s crying but me. I can’t cry because I can’t breathe. I can’t breathe because everything inside me shuts down.


3) Who is your favorite secondary character and why?

Dave – Dariush, Badi’s (Bud’s) brother, is my favorite secondary character. He so confident and comfortable with himself, even though he, like Badi (Bud) is a total disappointment in the eyes of his parents. Also, he’s not opposed to telling it like it is. Following, is an example.


He stretches and gets up. “The thing you have to understand about people,” he says, “is that most of them suck, and you don’t want to be like them anyway. Just get through high school. I won’t lie: people suck after high school, too. But you’ll be older then and will have given up, so it won’t be as devastating.”

Marcy –  I was honestly torn between Dariush, Bud’s brother and Nikki. I ended up choosing Nikki, but was happy to see that Dave chose Dariush.


Nikki is one of the few characters that not only accepts Bud for himself, but also accepts others regardless of their problems. She’s not scared off by Bud’s crazy stories or his problems like most people. She is the one person (other than his brother) that he feels comfortable enough to allow inside his world.


Nikki’s bus is coming. She says, “I want to know it all. One day. When you want to tell me everything.”


4) What is your favorite line or paragraph of description?

DaveI had a list of about fifteen passages to choose from after I read through the book, but in the end decided this passage was my favorite because it showed Badi’s (Bud’s) humanity (and I almost used this section for my favorite character growth) and the fact that he is not, as he says himself, a total monster. I also picked it because the scene is so visual, yet still evokes so much emotion.


I see the douche bag Trevor. He came with this girl from the newspaper staff, and he pulls her chair out for her and then gets her a cup of lemonade, and she takes it without looking at him and sets it on the table, and then takes out her phone and plays around with it. And he sits there with this miserable expression on his face, and he fixes his tie and leans in to say stuff to her every so often, and she is not into him, and it’s the kind of thing that happens a million times a day, but when you see it happening to someone in front of you, even someone as revolting as Trevor, you would have to be an absolute monster not to feel some vestige of sympathy.


Dylan and his buddies and their dates pass by, and with them is Dylan’s little sister, the freshman he pointed out to me on my first day. She has very bad skin and is not pretty – I’m sorry to say it and I’m not judging, but there it is; and she’s apparently dateless and tagging along with them – probably their mother made her go because Dylan is Mr. Popularity – and he has his hand lightly on her shoulder when she says something to him, and her whole face is a study in misery, and he replies and pats her back, like, human, and his sister’s posture, hunched and defeated, embodies the last fourteen months of my life, when things begin to misfire in my brain and the whole universe decided it was out to get me.


(The scene goes on with more astute observations, but I ended it early in an effort not to give away too much of the plot. So please, read for yourself to see what happens).

Marcy – I love the descriptions in this paragraph! I have a crystal clear snapshot of the images that Bud describes – so vivid. And this scene also gives us a look through Bud’s eyes about Nikki.  


Being that I ride public transportation every day, I see my fair share of crazy, and sometimes it’s not pretty. Like the lady who brings the baby carriage on the Western Avenue bus, but it’s holding Duraflame logs and bottles of orange pop, not a baby. And there’s always a guy peeing on himself. Always. It’s like a rule. Homeless people who yell at the bus driver; homeless people who are trying really hard not to seem like homeless people, but they are dragging kids with them and taking suitcases onto the bus and their money is always carried in some complicated contraption tied to their belts. That’s how I know Nikki is a decent human and not just a rich girl who lives in a nice house in the city: she takes crazy in stride. You could just get up and move away from the crazy people, but she stays put.


5) What is your favorite line of dialogue?

Dave – This quote comes from Nikki, Badi’s (Bud’s) friend. She’s supposed to be a misfit, too. I love how this line makes you think, or rethink what, and whom, are normal.



“Look, I told them I was covering the bonfire for the paper, Bud. I didn’t know it was going to be this big thing with you. They like to take the twins out for wholesome family fun on Saturday nights. I think they’re at the shooting range.”

Marcy– Another laugh-out-loud line!



You know your family’s got problems when the hippies with the stoned dog are worried about you.


You can find Leslie at:


Twitter: @leslie_stella

Permanent Record is available in hardcover or for Kindle at:

First Friday – Five Favorite Things – Debut Novel Day

by Dave Amaditz &

Marcy Collier

The Flame in the Mist
Welcome to August’s version of – First Friday – Five Favorite Things – Debut Novel Day. In this monthly series, we ask five simple questions about a debut novel that will hopefully entice anyone reading this post to pick up the novel and read it themselves, and/or give them at a glance some insight into the author’s writing style and voice as well as how some of the characters might think or act. We do this by presenting, first, answers to our Five Favorite Things, followed by the author’s answers in a follow-up post.


This month we’re pleased to highlight debut novelist, Kit Grindstaff, and her novel, The Flame in the Mist. I had the privilege to meet Kit at 2009 Rutgers One-On-One Plus Conference, where she was busy working on her novel. Fortunately, I ran across her again this past June at the New Jersey SCBWI conference where she was able to share good news of publication, and more importantly, where she agreed to participate in this month’s Five Favorites.

1) What is your favorite line or paragraph from the novel as it relates to the main character’s development and/or growth?

Dave – There were so many to choose from, but in the end, without revealing some of the plots inner secrets, I chose this paragraph because it shows the perils that Jemma, the main character, must face, as well as illustrates one snippet of the fantastic writing found throughout the novel.


Jemma closed her eyes and took a deep breath. The Prophecy. Despite everything, it still burned inside her, driving her. She’d been drawn inexorably to this destiny from the moment she first started having doubts about the Agromonds, and had set it in motion with their first step toward escape. How she would ever bring back the sun, she had no idea, but rescuing the triplets was vital. They couldn’t wait.

Marcy – Jemma has lived her entire life in the castle with the Agromond family. She always knew that she was different – not like them. She finally finds the courage to escape from them with the help of Drudge. In this scene, her brave behavior and change of heart for Drudge is the beginning of how her character greatly changes throughout the novel.

“A big cave. Then another tunnel, which will lead away from the castle, where there’s no alarm. I understand.” Jemma squeezed his hands. “I wish I wasn’t leaving you here! But—”

“Go!” Drudge pulled his hands away. “Mussst, now! G’bye, Jmmmaaah.”

“Goodbye. And please say goodbye to Digby for me, will you? Tell him…tell him I’ll look for him in Hazebury, when I get there.”

Drudge nodded, wiping one eye with the back of his sleeve. “Trussst,” he said again, softly.

2) What is your favorite chapter ending or cliffhanger?

Dave – Again, without giving too much away, I picked this chapter ending because I didn’t see it coming and needed to immediately turn the page to find out what came next. To set the scene a little, Jemma is feeling pretty good about herself because she has gotten away from the castle, and the likes of Nox Agromond… only to see… well, you read for yourself.

Every face, every tree, and every building in the square was still crystal clear. As crystal clear as the electric sense of someone approaching from behind her. Crystal clear as she turned around. And crystal clear as she saw the unmistakable dark hair and determined stride of Nox Agromond, exiting the inn and heading straight toward her.

Marcy – This chapter ending gave me chills. In the last 24 hours, Jemma has discovered that her entire life has been a lie. Jemma is reading the back of a newspaper clipping and recognizes the picture of her mother.

She turned the picture over. 

Tiny writing was scrawled with obvious effort across the back.

My darling child. We are waiting.

Jemma felt her destination sharpen in her mind as clearly as etching on glass. For somehow, something in her knew that her mother, at least, was still in Oakstead – and alive.

3) Who is your favorite secondary character and why?

Dave – Nocturna is my favorite secondary character. She is the epitome of evil, one hundred percent committed to her cause and only willing to waver with feelings or actions that resemble kindness if, and only if, the end result will benefit her. Who else would say the following to their daughter?

“Yes, you will, Mord take you,” Nocturna said, gripping her harder, “if I have to kill you to get it.”

Marcy – My favorite secondary character was hard to choose because there were so many characters I adored. Jemma meets a young girl named Talon during her travels to escape. The reader expects Talon to turn Jemma in to the Chief Inquisitor who is also happens to be Talon’s father. But boy, does Talon surprise Jemma and the reader.

Talon frowned, then broke into a grin. “I know – come to my house! It’s the last place anyone’ll think of lookin’. Pa’s never home, an’ it’d never occur to ‘im you’d be hidin’ under our roof. Don’t worry, Ma can’t stand ‘im any more’n I can. We both felt ‘is fist a bit too often. ‘Sides, she’d be dead chuffed to meet yer. So come on, let’s be off!”

4) What is your favorite line or paragraph of description?

Dave –  This was not easy! So I picked two in order to give you a sense of the fantastic writing as well as of the evil Jemma faces in her quest.

First - Everyone dozed. Only Grandmama Mallentent seemed to be awake, her crazed paint-cracked eyes staring from her portrait as if they saw into Jemma’s duplicity. Jemma fixed her gaze on the fire, and on the family motto glaring at her from the mantelpiece: Mordus Aderit. She tried re-ordering the letters to make pleasant words, but it only yielded ones that seemed to taunt her: Ruse. Dare. Dread. Dread. The word slithered into Jemma’s head, then wormed into her bones, where it curled up and tightened like a noose.

Jemma mopped her mouth with a napkin, her stomach in revolt. The stew had been vile. The silkiness of the pancreas made her retch, and how could she have ever liked the bitter taste of spleen, with its crumbly texture? Even the crunch of the bees-in-syrupwater dessert was disgusting to her now.

Second - What met her eyes was more horrific than she could have imagined. Countless small human skeletons were grouped together in twos and threes, some whose arm bones embraced another; others with finger bones entwined. Several behind the door looked as though they’d been trying to claw their way out.

Marcy – Jemma has never guided a horse before – this is her first time trying to ride Pepper under strained circumstances. I felt like I was right in the scene with the fantastic imagery and action.

“Easy, girl – easy!’ Terrified, Jemma gripped with her legs as she lay over Pepper’s withers, her arms wrapped around the mare’s outstretched neck. The ground rushed by. She could feel her cloak streaming behind her like wings. Wings that had saved her, breaking her fall from Mordwin’s Crag…She began to feel as though she was flying, and melted into Pepper’s thundering gallop, remembering the thrill of speed she’d felt earlier with Digby’s arm around her. All fear vanished. Her mind merged with the mare’s, envisioning where to go: Over there, to the right – Yes! That’s it…

5) What is your favorite line of dialogue?

Dave – Even with all the scary scenes I’ve picked for my favorites, I think this line proves, that in the darkest hours, there can be hope.

“Nobody is evil through and through, Jemma,” said Lumo, “or good, for that matter. Each of us has the capacity for both, and for most of us, one wicked act, or even several, does not make us a wicked person. That depends on how we choose to commit our lives. Yet even good people have the capacity for cruelty, just as evil ones have the capacity for kindness.”

Marcy – Digby made Jemma die her flaming red hair with a muck of berries and mud, then sheared her hair off like a boy’s so people wouldn’t recognize her. Jemma is not happy about this transformation until Digby gives her a compliment – sort of.

“’S’alright, Jem. I understand. Your hair is kind of your crownin’ glory. But you still look pretty good without it.”

Jemma smiled, her stomach flipping.

“Does stink a bit, though,” he added.

You can find Kit at:

                       

Twitter:  https://twitter.com/kitgrindstaff (@kitgrindstaff)

Thank You New Jersey SCBWI – 19 Reasons to Attend the New Jersey SCBWI Annual Conference

 

by

Dave Amaditz

1) An unbelievably friendly and helpful staff – beginning with Leeza Hernandez, regional advisor, as seen here giving the welcoming address on Saturday, June 8, 2013
Leeza Hernandez

 

2) An amazing, kind and welcoming membership that made me feel, as a first-time attendee to their conference, like I’d always been part of the group.

3) The ability to communicate with talented writers who have won numerous awards, such as Ame Dyckman, winner of this year’s crystal kite award.

4) Access to agents, such as my one-on-one critique mentor, Stephen Barbara, from Foundry Literary. Other mentors that I had the privilege to sit with at lunch, Louise Fury of the L. Perkins Agency and Jessica Regel of the Jean V. Naggar Literary Agency Inc. All were pleasures to speak with, and all, a wealth of information.

5) Access to editors, such as Connie Hsu, from Little Brown Books. I enjoyed finally being able to meet her in person, after not being able to attend the spring retreat hosted by WPA SCBWI in 2011 because I’d taken ill. Jenn Abramowitz, Senior Editor, Scholastic was also there, as was Melissa Faulner, Editorial Assistant, Abrams, and many others.

6) Fantastic and up-to-date sessions -some of my favorites, listed below.

7) Sitting in on a wonderful session by Kathy Temean. Her tips for how to market yourself before you have sold your book, after you have signed a contract, four months to launch, one month prior and launch date were fantastic. There’s no doubt I’ll use each and every one of them should I be fortunate enough to land a contract.

8) Sitting in on book trailer session by Kim McDougall. Wow! I knew I’d watched some good trailers and some that were awfully bad, but I never knew everything that went into making the really good ones. I’ll use all of her fantastic tips.

9) Blueprinting a novel by Wendy Mass. She gave a super interesting approach to outlining a novel. She made it sound so easy, and although I’ve never had success with outlining before, the whole idea made me think that it might be worth a try.

1 0) Battling your inner censor with Jen Hubbard and Kit Grindstaff. All of us have had scenes we had difficulty writing, some more so than others. We received a few strategies, among them visualization, to help us push through the block.

11) Online registration. It may sound so simple, but the process of registering via computer was made so simple. Paperless. Effortless. Thanks. I hope we soon implement something similar to this with my local chapter.

12) Early registration. I received my initial e-mail on March 10. The preplanning for this conference was fantastic, one of the reasons, I believe, for its success.

13) The ability to select agents you wish to meet. A list of agents willing to give critiques were made available. Applicants were taken on a first-come, first-serve basis, and because I registered early enough, I was able to get the one-on-one critique from my agent of choice.

14) Electronic submissions for all manuscripts needing to be reviewed and a cut-off date for uploading the documents. This gave ample time for the editor or agent to thoroughly review your material. By the way, it was made quite clear, that if you were late uploading the document your timeslot would be lost. Very fair, indeed.

15) Dining arrangements – Editors and agents were seated at various dining tables. All attendees had the option, especially if they registered early enough, to choose the table where they wished to sit. Once again, early registration allowed me to sit with my agents of choice. I learned a heck of a lot about the business while enjoying a couple fantastic meals.

16) Critique groups. Peer critique groups were made available to those who wished to participate. I knew I would’ve run out of energy, so I didn’t sign up for those, but I understand from other attendees that they were fantastic.

17) First page sessions. Editors and agents listened to first pages, which we know are the most important part of the manuscript.

18) Fantastic keynote speakers – Peter Brown, author illustrator – Tara Lazar, (seen here during her keynote speech) picture book author – Lauren Oliver, New York Times best-selling author. All three gave uplifting speeches. My notebook is full of their words of wisdom.
Tara Lazar

 

19) A large chapter with a hometown feel – This is what impressed me the most. The entire process was run with business-like precision, and even though this chapter boasts a large membership, which could lend to the process being impersonalized, I was made to feel as comfortable as if I were in my own hometown. I never felt isolated or out of place even though I traveled nearly 400 miles to attend and had never met any of the members.

The bottom line is: I was promised by two of my Route 19 fellow writers, Marcy Collier and Kitty Griffin, that I would have an amazing experience if I attended the June 7-9, 2013, New Jersey SCBWI conference.

Wow! Promises kept.

Now, just like them, I recommend this conference to anyone looking for a fantastic learning experience with a fantastic group of people. And… I plan to join them again next year.

First Friday – Five Favorite Things – Debut Novel Day

by Dave Amaditz &
Marcy Collier

Personal Effects by E.M. Kokie

Welcome to May’s version of – First Friday – Five Favorite Things – Debut Novel Day. In this monthly series, we ask five simple questions about a debut novel that will hopefully entice anyone reading this post to pick up the novel and read it themselves, and/or give them at a glance some insight into the author’s writing style and voice as well as how some of the characters might think or act. We do this by presenting, first, answers to ourFive Favorite Things, followed by the author’s answers in a follow-up post.


This month we’re pleased to highlight debut author E. M. Kokie’s novel, Personal Effects.

1) What is your favorite line or paragraph from the novel as it relates to the main character’s development and/or growth?

Dave – To me, this passage catches Matt at one of his lowest points. He thinks he’s finally worked out a way to reconnect with parts of his brother’s life he never knew, but… well, let Matt describe what happened, as he’ll do a better job than I.


I thought I was coming here on a mission, one last thing I could do for T.J., maybe the most important thing anyone could do for him. And I planned and plotted and drove and skulked and it all worked… except for the part where I got everything totally 100 percent wrong.

MarcyOn the road trip back home from delivering a special letter, Matt makes a stop at McConnells Mill State Park (which is actually one of my favorite places to take a day trip from Pittsburgh). He replays the last camping trip he and his brother T.J. took and realizes that he had everything all wrong when his brother tried to have a heart-to-heart talk with him in front of the campfire. This realization shows how his character has grown.


But maybe he was trying to figure out if he could tell me or if he should tell me, or how. Maybe he was already getting ready to leave for good, leave me behind, and didn’t know how to tell me that. Whatever it was, I didn’t ask because I figured, ultimately, whatever was in his head was about death. It never occurred to me it could be about life.

2) What is your favorite chapter ending or cliffhanger?

Dave – Matt has been reading through stacks of letters and searching through tons of pictures that were part of his brother’s “personal effects.” They’re helping him to reconnect with the part of his brother’s life that he didn’t know. He’s borrowed his friend’s car and drove hundreds of miles to meet the girl, Celia, who has written most of the letters and is in many of the pictures, the girl who he thinks might be his brother’s wife.


The front door opens, and a tall guy in a suit shuffles through, juggling some kind of briefcase, two cloth bags, and some other stuff.


“Hi,” he says when he looks up and sees me standing there. “You must be Matt, right?”


Oh. Celia’s brother. A little older than in the pictures, and with the start of a scruffy beard, and glasses, but definitely him.


“Oh, uh, hi,” I carefully put the picture back where it was, adjusting it until it’s exactly like I found it. “I was just looking at the pictures.”


I think she has some albums set aside to look through with you,” he says, staring at the pictures on the table. “Some pictures of your brother.”


I want to say something, but nothing seems right, with the twisting sick feeling in my stomach and the itching desire to see the pictures she’s put aside right now.


“So, you’re Celia’s brother, right?” I take a large sip of my soda and push my hand out to shake hello.


“Uh, no. I’m Will. Celia’s husband.”

Marcy – I’m usually a pretty perceptive reader. I always seem to see the next surprise coming at me. I. Did. Not. See. This. Coming. Oh my gosh, this cliffhanger ending blew me away and forced me to stay up way past my bedtime to see what happened next. I will not ruin this for those readers who have not read the book yet. Go get a copy of the book!


“So, you’re Celia’s brother, right?” I take a large sip of my soda and push my hand out to shake hello.


“Uh, no. I’m Will. Celia’s husband.”

3) Who is your favorite secondary character and why?

Dave – Shauna is my favorite secondary character. She’s known Matt for years and knows everything he’s been through, yet chooses to stand by him despite all of his problems and how others think of him. She’s risking so much of herself to help Matt make connections with his brother’s friends, by lending him her car. The following example will give you an idea of how much she cares for him.


She shakes free and wraps her arms around her middle. “Look, whatever happens, or… whatever you decide to do, just call me, OK? Every day? Because I’m going to worry, and probably be grounded, and it’s going to suck and…” Her hard eyes scare me. “Just promise, OK?”

Marcy – Oh, Shauna – a girl after my own heart. She’s sweet and adorable but can be oh-so-tough and forceful when she gets upset. She’s been Matt’s best buddy since they were kids. Matt wants to become more than friends but would never jeopardize their friendship. She wants to join Matt on his road trip, but he won’t allow her to come. She’s so mad at him, but doesn’t break her promise of allowing him to use her car. Then, she throws him an envelope with cash in it.


“It’s only what I had on hand from my birthday and babysitting, so not that much, but there’s no way you’d make it back with what you have.”

4) What is your favorite line or paragraph of description?

Dave – So much of the story is tension-packed because of the relationship between Matt and Dad. I chose this passage because it shows that even with all the turmoil in his life, Matt is still on many levels able to function like a normal teenage kid.


I trade her one of the sodas for a steaming plate. Before digging in, I wait for her to sit. But she puts her soda down so she can pull her sweatshirt from around her waist and tug ittarget over her head. COUGAR SOCCER blazes across her chest in brand-spanking-new gold letters. I remind myself not to stare. It’s new – the sweatshirt, not her chest. Her chest has been tormenting me for years. Last week, all the rising-senior soccer players got their “senior sweatshirts” in one of those very-important-to-them ceremony things. She’s been wearing it whenever it’s the least bit cool enough and being very careful not to get it dirty. Shauna already has senior fever: excited and going through all the rituals of junior year to be ready. The way things are going, I may never be as senior. Her teammates think I’m a loser. They’re not the only ones.

Marcy - The reader doesn’t have a clear picture of Mom’s story until near the end. One of my favorite paragraphs relates to Matt coming to terms with his mother’s leaving him at such a young age.


How do you grieve for someone who kissed you good-bye one morning when you were five years old and then left while you were at preschool, so that you came home to an empty house and never saw her again? Do you even grieve when you spend the next year and a half confused and scared and sometimes worried that she might come back?

5) What is your favorite line of dialogue?

Dave – This line comes from Matt , and I think it could’ve been used as my favorite scene relating to character growth, as he is finally able to stand up to his father and say what he thinks.


“Dad… I’m not T. J. And I’m not you.” I don’t know who I am yet. “can’t you see that? And just let me… let me have a couple years to… figure it out? Figure out…”

Marcy–Matt has just discovered that he has no idea who his brother really was and can either face the truth or live in denial.


“If you want to hear about who your brother really was, come on back, or call. But if you ever take a swing at me again, I’ll break your arm.”

You can find Emily at:

Query Formatting Tips

by

Dave Amaditz

I’ve been busy submitting to agents as of late and have noticed most do not accept queries sent through snail mail. There are a lot of benefits to this, mainly the speed with which you can submit as well as the postage you save.

But I’ve often wondered if there is a different or better way to format an e-query and have read on different sites some suggestions. None of them, however, made complete sense to me as to the why and how of formatting until I was forwarded a link from Marcy, a fellow blogger here at Route 19 writers. After reading, it became clear, for example, where to place your contact information and your website address, if you have one, and also why it would benefit you by doing it that way. To find out the details, and perhaps clear some of your confusion, click on the link below, from Jill Corcoran, literary agent at the Herman Agency.

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